The first of these is Pitch, an automatic pitch correction processor that now helpfully (and very successfully) detects and suggests the key of the input audio signal. Once you've found a preset that gets you close to the sound you're after, you can edit it using the 'broad strokes' controls on the Overview page, which presents the main parameters of all the effects in one screen, or jump into Advanced mode to get your hands dirty with the gloriously detailed modules themselves. To help you get started, and serving as a comprehensive library of starting points, Nectar 2 ships with 150 stylistically categorised presets that set up all the necessary modules for you. In a nutshell, it's a processing Swiss Army knife for vocal tracks. Two years on and Nectar 2 (VST/AU/RTAS/AAX) is upon us, housed in a freshly updated interface that lets you name each instance individually, and comprising 11 modules for dealing with intonation and formant control, harmonies, dynamics, equalisation, reverb, delay and modulation effects. 'In a nutshell, it's a processing Swiss Army knife for vocal tracks'